Author Archives: Aaron Bocanegra

DOT Magazine Interview

I got a chance to discuss some of my recent projects and collaborations for this interview in DOT Magazine. It explores the possibilities for art in the context of a DIY approach to tool-building and open-source concepts. It is my hope that art can find a substantial place in a variety of worlds – scientific, mathematical, and otherwise – by the merits of artistic knowledge.

Experiments in DIY EEG

Two years ago I began looking into what it would take to make an Electroencephalograph (EEG) machine of my own. I had read about the open source EEG project and it got me fascinated with the prospects of exploring neurofeedback. Several months ago The George Greenstein Institute approached me to create a class. The first thing I wanted to do was finally explore the EEG machine.

Future of Art: Direct Collaboration with Math & Science

Art Talk at Swarthmore – The Future of Art: Direct Collaboration with math & Science – Feburary 16, 2010. As digital mediums move into the realm of artistic practice it becomes imperative that the artist once again gain mastery of not just the use but the generation of their tools. The current work being produced is becoming more technologically sophisticated, especially in light of the open source movement. However, the application of math and science remains relatively basic.

Interactive Architecture – Quasar – at SCI-Arc

February 11, 2008 – Quasar: Aaron Bocanegra, Jean-Michel Crettaz, Duly Lee, Mark-David Hosale. SCI-Arc presents, Quasar, a new site-specific installation by the LA/NY-based design/media firm slap!, founded by architect Jean-Michel Crettaz, and produced in collaboration with the Stanford Linear Accelerator Center (SLAC) and Stanford’s Kavli Institute for Particle Astrophysics and Cosmology. “Quasar is an immersive light and sound space made from prototype membranes realized as an interactive light/sound object and comprised of a dense array of interlinked elements describing an intricate three-dimensional structure.”

Rusty Minivan, Green Message for Filmmakers. Edmonton Journal Article.

July 19, 2007 – They are bound for the Arctic Circle in a rusty silver minivan, rickety filmmaking studio in tow, to raise awareness about the changing North. The 1973 Trillium trailer is a little beaten up, no doubt, but it will be the “office” for Drew McIntosh, Aaron Bocanegra and Rob Lutener, an artistic collective making a documentary about the social and economic impacts of climate change on the North’s people.